mardi 21 octobre 2014

Cinema: when the destination is worth the ticket

TOKYO (JAPAN)
If you have been to Tokyo, you will have no trouble recognizing the representation of that megalopolis gives Sophia Coppola in his Lost in Translation (2003): Tokyo surprising yet trivial, futuristic yet archaic, mysterious and obvious at the same time.

The truth is that Tokyo is always ready to spiazzarti and distort your point of view. Takes you, capture and then leaves you with a hint of mystery and "unspoken". The same feeling that many viewers have experienced at the end of the film and is also found, at least in part, at the end of every self-respecting travel.
Destination: Tokyo

PARIS (FRANCE)
Party in the USA, it is likely that Paris has hosted more movie set than any other city in the world (but it would be interesting to make a comparison with Rome). The City of Light is one of the protagonists of the revolutionary À Bout de Souffle (Jean-Luc Godard, 1960); love triangle with tragic aspect of Jules et Jim (François Truffaut, 1962); the futuristic thriller Alphaville (Godard still, 1965); and the romantic (or silly) The fabulous world of Amélie (Jean-Pierre Jeunet, 2001).

All these jumps from one genre to another are more than understandable: there are so many things to see and do in Paris, and the city is so rich and varied that everyone can imagine what he wants.
Destination: Paris

MANHATTAN (UNITED STATES)
Woody Allen is perhaps the most famous among those who helped to create the myth of Manhattan. He resumed its streets and its people in numerous films, such as Annie Hall (1977), Manhattan (1979) and Hannah and Her Sisters (1986).

There are dozens of routes that you can follow to regain Manhattan Woody: The Beekman Theatre; John's Pizzeria; the Elaine's restaurant; the 59th St Bridge. The eye of the great director has gone in almost every direction - follow him in real life can be just as exciting as the movies.
Destination: New York City

OUTBACK (AUSTRALIA)
Think Mad Max - The Road Warrior (George Miller, 1981), the second film in the trilogy of Mad Max with a big Mel Gibson and what comes to mind? Desert expanses of sight, from the wind modeling rocks; In short, an apocalyptic scenario. None of this is due to special effects.

It is, in fact, of what you'll find when you venture from the remote parts of Broken Hill in New South Wales: here was shot much of the film. This is the real Australian outback: where men are men and the sheep run and hide.
Location: New South Wales

DUBLIN (IRELAND)
Entirely shot in the north of Dublin, The Commitments (Alan Parker, 1991) tells of a group of young people who throw themselves penniless in the creation of a soul band and that among rivalries and jealousies, end the inevitable (and sad) brawl.

The dark atmosphere and hard in the film are part of the soul of Dublin, as is the romantic flavor that accompanies the memories of those who have visited the city. Parker's film does not betray this: going around the suburbs, the camera captures a piece of the Irish dream, made of healthy optimism and illusions miss.
Destination: Dublin

http://www.lonelyplanetitalia.it/articoli/cinema-viaggi

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